The Red Badge of Courage

July 1, 2006
These inexpensive condensed versions of classic novels are quickly paced and competently told, with occasional black-and-white illustrations adding spice. Still, one wonders why the adaptations were created in the first place. Some tales (e.g., [cf2]Gulliver's Travels[cf1]) are already suited for children; others gain their depth from complexities of material and language, which is excised here for age-appropriateness.

(Copyright 2006 by The Horn Book, Incorporated, Boston. All rights reserved.)

June 6, 2005
This 1895 tale of young soldier Henry Fleming's initial experiences in combat during the Civil War still startles. Artist Vansant captures Fleming's uncertainty and fear quite well, sometimes through effectively understated facial expressions. Yet this adaptation oversimplifies Crane's portrayal of Fleming, ignoring or de-emphasizing the character's other failings: his egotism, his talent for self-justification and the "wild battle madness" underlying much of his later heroism. In Crane's book, Fleming is haunted by his desertion of the dying "tattered man"; in Vansant's version, Fleming forgets him. Though Crane's book is a landmark in realism, the author's symbolic writing turned Fleming's battlefield into a mythic realm. Vansant's conventionally realistic artwork, on the other hand, is more prosaic than Crane's brilliantly descriptive captions. This adaptation faithfully introduces the plot, characters and primary themes of Red Badge
to readers unfamiliar with the original book without penetrating the full depths of Crane's masterwork.