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ME

A Novel

ebook
1 of 1 copy available
1 of 1 copy available

The unsettling story of a young man who suffers an identity crisis after getting tangled up in a telephone scam.

"A Kafkaesque journey of a lonely narrator being absorbed by an impersonal system." —Los Angeles Review of Books

This novel centers on the "It's me" telephone scam—often targeting the elderly—that has escalated in Japan in recent years. Typically, the caller identifies himself only by saying, "Hey, it's me," and goes on to claim in great distress that he's been in an accident or lost some money with which he was entrusted at work, etc., and needs funds wired to his account right away.

ME's narrator is a nondescript young Tokyoite named Hitoshi Nagano who, on a whim, takes home a cell phone that a young man named Daiki Hiyama accidentally put on Hitoshi's tray at McDonald's. Hitoshi uses the phone to call Daiki's mother, pretending he is Daiki, and convinces her to wire him 900,000 yen.

Three days later, Hitoshi returns home from work to discover Daiki's mother there in his apartment, and she seems to truly believe Hitoshi is her son. Even more bizarre, Hitoshi discovers his own parents now treat him as a stranger; they, too, have a "me" living with them as Hitoshi. At a loss for what else to do, Hitoshi begins living as Daiki, and no one seems to bat an eye.

In a brilliant probing of identity, and employing a highly original style that subverts standard narrative forms, Tomoyuki Hoshino elevates what might have been a commonplace crime story to an occasion for philosophical reflection. In the process, he offers profound insights into the state of contemporary Japanese society.

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    • Publisher's Weekly

      April 24, 2017
      Hoshino (The Mermaid Sings Wake Up) draws inspiration from the “It’s me” telephone scams that prey mostly on Japan’s elderly, opening with mischievous Hitoshi Nagano as he takes the cell phone of Daiki Hiyama and (posing as Daiki) asks the young man’s mother for ¥900,000. Hitoshi explains that the wire is to pay a debt to a friend, and then gives her his actual name and bank account. Three days later, Daiki’s mother appears in Hitoshi’s home and, calling him Daiki, treats Hitoshi as if he is her son. From this point, the ordinary life of the characters transforms, as Hoshino leads readers on a psychological and philosophical journey in which the value of individualism is questioned and tested in escalating absurdist measures. When Hitoshi visits his old home, he finds another young man living as his parents’ son and is treated as an imposter by his mother. The novel is most successful during Hoshino’s riffs on parents obsessed with making sure their children achieve respectable vocations and marriages, value children more for their lack of individualism than for their unique talents and eventually losing sight of their adult children’s identities. In Hoshino’s dystopia, identities are fluid and any one is as good as another. The novel pushes this idea into a highly plotted, absurd world where normally shocking movements are rendered as reportage, depicted with the same emotional weight as casual conversations. Hoshino’s ambitious novel is pleasingly uncomfortable.

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  • English

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