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My Life in the Purple Kingdom

ebook
1 of 1 copy available
1 of 1 copy available

From the young Black teenager who built a bass guitar in woodshop to the musician building a solo career with Motown Records—Prince's bassist BrownMark on growing up in Minneapolis, joining Prince and The Revolution, and his life in the purple kingdom

In the summer of 1981, Mark Brown was a teenager working at a 7-11 store when he wasn't rehearsing with his high school band, Phantasy. Come fall, Brown, now called BrownMark, was onstage with Prince at the Los Angeles Coliseum, opening for the Rolling Stones in front of 90,000 people. My Life in the Purple Kingdom is BrownMark's memoir of coming of age in the musical orbit of one of the most visionary artists of his generation. Raw, wry, real, this book takes us from his musical awakening as a boy in Minneapolis to the cold call from Prince at nineteen, from touring the world with The Revolution and performing in Purple Rain to inking his own contract with Motown.

BrownMark's story is that of a hometown kid, living for sunny days when his transistor would pick up KUXL, a solar-powered, shut-down-at-sundown station that was the only one that played R&B music in Minneapolis in 1968. But once he took up the bass guitar—and never looked back—he entered a whole new realm, and, literally at the right hand of Twin Cities musical royalty, he joined the funk revolution that integrated the Minneapolis music scene and catapulted him onto the international stage. BrownMark describes how his funky stylings earned him a reputation (leading to Prince's call) and how he and Prince first played together at that night's sudden audition—and never really stopped. He takes us behind the scenes as few can, into the confusing emotional and professional life among the denizens of Paisley Park, and offers a rare, intimate look into music at the heady heights that his childhood self could never have imagined.

An inspiring memoir of making it against stacked odds, experiencing extreme highs and lows of success and pain, and breaking racial barriers, My Life in the Purple Kingdom is also the story of a young man learning his craft and honing his skill like any musician, but in a world like no other and in a way that only BrownMark could tell it.

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    • Library Journal

      July 1, 2020

      BrownMark, the bassist for Prince from 1981 to 1986, with writer producer Uhrich, takes readers on the roller-coaster ride that was the first part of his life. Raised by his hardworking mother, BrownMark grew up in a racially divided Minneapolis, where early on he became fascinated by music. The funkster performed with his hometown band, Phantasy, and enjoyed a meteoric rise as a 19-year-old from a local music talent to part of Prince's band, which opened for the Rolling Stones on tour. He describes his transformation from Mark Brown to the flamboyant BrownMark under Prince's guidance and the joys and tribulations of fame and life on the road during multiple tours and the filming of the influential Purple Rain (1984). BrownMark ends by discussing his band project Mazarati, his disenchantment with Prince after the Under the Cherry Moon film/tour (1986), and his signing with Motown Records. Throughout, the bassist treats Prince evenhandedly as a nattily dressed, hard-driving, charismatic, and sometimes duplicitous musical genius. VERDICT This page-turning memoir, while focusing on the artist's early days and ignoring the past 30 years of his life, will appeal to BrownMark's fans and general music enthusiasts.--David P. Szatmary, formerly with Univ. of Washington, Seattle

      Copyright 2020 Library Journal, LLC Used with permission.

    • Kirkus

      August 1, 2020
      The bassist for Prince during the Purple Rain era provides glimpses into the kingdom. BrownMark--who was born Mark Brown in 1962--describes his rise from a single-parent home in a city of racial discrimination (Minneapolis) to success with the musical supernova. Yet there were plenty of bumps along the way. For example, in 1982, even a big raise only brought his salary to $425 per week; later, he quit after discovering that his Purple Rain Tour bonus that he'd imagined might be $1.5 million was in fact only $15,000. Those looking for a memoir awash in sex, drugs, and the seamier sides of Prince's private life will instead discover hard work and rigid discipline under a stern taskmaster, an artist who became what he was through minute attention to detail as well as genius. The author ably chronicles his own life growing up Black in a city so White he thought of it as a "Scandinavian Mecca." As a boy, his family didn't have a TV, and his early experiences playing music involved a makeshift guitar constructed out of a shoe box and rubber bands. Before he auditioned for Prince, he had never been to the suburbs, and before he joined the band, he had never been on a plane. His life changed dramatically at a time when the world of music was changing, as well. Disco was breaking down walls between Black and White, and punk was bringing a new edge and urgency. As Prince's star was ascending, he demanded the full spotlight and resented any response his young bassist was generating. The author left the band in the mid-1980s feeling that he lived "in a world of filth, greed, and deception." Still, the connections and impressions he made as a member of The Revolution launched his career, and he notes that "working with Prince was like going to the finest music school in the land." A memoir of vivid detail and understandable ambivalence.

      COPYRIGHT(2020) Kirkus Reviews, ALL RIGHTS RESERVED.

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