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Dust and Light

On the Art of Fact in Fiction

ebook
1 of 1 copy available
1 of 1 copy available

One of Literary Hub's Most Anticipated Books of 2025

The National Book Award–winning writer's intimate exploration of how fact is transformed into fiction.

Hailed as a "genius-enchantress" (Karen Russell) and winner of the MacArthur Fellowship, the celebrated novelist Andrea Barrett has for decades reached backward to find inspiration from the past and written acclaimed and prizewinning works of historical fiction. In Dust and Light, the first work of nonfiction of her extraordinary career, Barrett draws from that deep well of experience to explore the mysteries, methods, and delights of the form.

Inspiration found in the past, she argues, can illuminate fiction, just as dust scatters light and makes the unseen visible. Barrett writes of lessons gleaned from the classic work of some of her guiding lights (Willa Cather, Henry James, Leo Tolstoy, Virginia Woolf), as well as the work of such contemporary masters as Hilary Mantel, Toni Morrison, Colm Tóibín, and Jesmyn Ward. She reveals how she created some of her own beloved works, taking readers on a fascinating journey into some of the largest questions in the genre: How does a writer find meaningful subject matter beyond the confines of their life? How are scraps of history found, used, misused, manipulated, and transformed into a fully formed narrative? And what are the perils as well as the potential of this process?

Building on pieces originally published in leading literary magazines and featured in The Best American Essays, Dust and Light is an elegant exploration of the hazy borderlands of fiction sewn from the materials of history. Filled with profound insights, it will be a delight for any devoted fiction readers, and of great use to aspiring writers too.

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    • Kirkus

      February 1, 2025
      "Following the hints of glitter among the heap of rubble." Barrett's bouquet of essays reflects on her craft as a writer of historical fiction. Each essay seeks to get behind the subjects of her work, while at the same time raising questions about how blurry the line may be between fact and fiction in literary narrative. It has been said that anything, once turned into a story, becomes a kind of fiction, and Barrett explores how telling people's stories turns them into novelistic characters. She surveys a range of subjects whose stories she has tried to tell: 19th-century Arctic explorers, the Victorian polymath Oliver Lodge, early-20th-century Brooklyn, the history of disease and cure, the ruminations of Virginia Woolf, World War I heroism, and specialists in everything from insects to anatomy to narwhals. This is a highly personal book, rich with lived anecdotes about what it meant to come to books as a child, what it meant to try to write after the terror attacks of 9/11, and what it means, now, to be a professional author. Barrett quotes the scholar Saidiya Hartman, who herself has experimented with fictionalized historical narratives: "How can narrative embody life in words and at the same time respect what we cannot know?" That is the key question of this book. Written in a conversational style, the collection works well on the page; it would likely be even better as an audiobook, with the listener hearing and feeling the writer's embodied life in words. Evocative essays on the challenges of writing and reading historical fiction, memoir, and literary biography.

      COPYRIGHT(2025) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      February 1, 2025
      Barrett writes exceptionally creative, inquisitive, piquant, and affecting fiction set in the past, often with a scientific bent, as in her most recent story collection, Natural History (2022). In her first book of essays, which are as keen and beautifully crafted as her stories, she parses the challenges involved in writing literary historical fiction, especially the need to balance facts gleaned through research with the artistic imperative to depict what it felt like to live in an earlier time. A writer must absorb as much information as possible until "it's become a kind of memory," and then transmute that essence into fiction. Barrett considers the works of Tolstoy, Willa Cather, and Toni Morrison, and cites Virginia Woolf's The Years as transformative. She shares her story about a forgotten nineteenth-century naturalist, then reveals what's factual and what's invented. Just as particles of atmospheric dust scatter light and form clouds, she observes, historical material "is the nucleus around which language and feelings gather." With candid accounts of false starts and revision marathons, Barrett's felicitous chronicle will intrigue and enlighten passionate readers and writers.

      COPYRIGHT(2025) Booklist, ALL RIGHTS RESERVED.

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