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1 of 1 copy available
1 of 1 copy available
Victoria Christopher Murray authors superb novels of African-American Christian fiction. Joy, a work of both romance and tragedy, is bound together by the unshakable faith of its protagonist. Anya Mitchell seems to have it all—a profitable financial services business, a handsome fiance, and an expensive diamond ring. But there are unwelcome doubts lingering in her mind. Danger also looms on the horizon, as a stalker lurking at the edge of her life draws closer. After Anya is savagely attacked, she must struggle to regain her sense of self and faith before making an important decision. At once heart-wrenching and inspiring, Joy teaches that God's way is not always easy to understand. The moving narration of Susan Spain brings out the best in Anya as God's great plan comes to light.
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    • Publisher's Weekly

      October 1, 2001
      Anya Mitchell seems to have it all: a thriving business, a large diamond on her left hand and a solid relationship with the Lord. But her life is not as perfect as it seems. Her hunky fiancé, Braxton, turns out to be self-absorbed and faintly conniving. He files for custody of his son from a previous marriage without telling Anya, and then tries to persuade her to sell her business and be a stay-at-home mom once they wed. Adding to Anya's nagging doubts about Braxton is David, a charming (and single) financial whiz whom Anya has just hired. When Anya is attacked by a rapist who's been stalking her for months, she realizes she needs to rethink her life. Should she marry Braxton or pay attention to the inner voice that has been telling her for weeks that their relationship is unsalvageable? The plot is predictable; most readers will figure out the identity of the stalker pages before Anya is raped, just as most will predict that she'll dump Braxton for David. And the subplot—a visit from Anya's recently divorced cousin Sasha—doesn't add much. Anya spends most of the book trying to bring Sasha to faith, but Sasha's sudden conversion at the story's end manages to seem simultaneously inexplicable and predictable. Still, as the response to books like Sharon Ewell Foster's Passing by Samaria
      shows, there is a clear need for African-American Christian fiction; despite its flaws, it is likely many readers will savor this novel of romance, intrigue and faith.

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  • English

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