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Heart of American Darkness

Bewilderment and Horror on the Early Frontier

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1 of 1 copy available
1 of 1 copy available

"A scarifying, blood-soaked portrait of savagery on the early frontier—much of it committed by European settlers . . . superb."—Kirkus Reviews (starred)

An acclaimed historian captures the true nature of imperialism in early America, demonstrating how the frontier shaped the nation.

We are divided over the history of the United States, and one of the central dividing lines is the frontier. Was it a site of heroism? Or was it where the full force of an all-powerful empire was brought to bear on Native peoples? In this startingly original work, historian Robert Parkinson presents a new account of ever-shifting encounters between white colonists and Native Americans. Drawing skillfully on Joseph Conrad's famous novella, Heart of Darkness, he demonstrates that imperialism in North America was neither heroic nor a perfectly planned conquest. It was, rather, as bewildering, violent, and haphazard as the European colonization of Africa, which Conrad knew firsthand and fictionalized in his masterwork.

At the center of Parkinson's story are two families whose entwined histories ended in tragedy. The family of Shickellamy, one of the most renowned Indigenous leaders of the eighteenth century, were Iroquois diplomats laboring to create a world where settlers and Native people could coexist. The Cresaps were frontiersmen who became famous throughout the colonies for their bravado, scheming, and land greed. Together, the families helped determine the fate of the British and French empires, which were battling for control of the Ohio River Valley. From the Seven Years' War to the protests over the Stamp Act to the start of the Revolutionary War, Parkinson recounts the major turning points of the era from a vantage that allows us to see them anew, and to perceive how bewildering they were to people at the time.

For the Shickellamy family, it all came to an end on April 30, 1774, when most of the clan were brutally murdered by white settlers associated with the Cresaps at a place called Yellow Creek. That horrific event became news all over the continent, and it led to war in the interior, at the very moment the First Continental Congress convened in Philadelphia. Meanwhile, Michael Cresap, at first blamed for the massacre at Yellow Creek, would be transformed by the Revolution into a hero alongside George Washington. In death, he helped cement the pioneer myth at the heart of the new republic.

Parkinson argues that American history is, in fact, tied to the frontier, just not in the ways we are often told. Altering our understanding of the past, he also shows what this new understanding should mean for us today.

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    • Kirkus

      April 15, 2024
      A scarifying, blood-soaked portrait of savagery on the early frontier--much of it committed by European settlers. Parkinson, a historian of the American Revolution and the author of Thirteen Clocks, is a careful reader of Joseph Conrad's Heart of Darkness, which, as the title suggests, he transposes to the mid-Appalachian frontier. There, Conrad's vision of heads impaled on stakes and relentless massacres would slot in neatly as a study in terrors committed out of sheer greed. The Kurtz of the piece is a settler named Thomas Cresap, who lured a family of Mingo men, women, and children to a meadow alongside the upper reaches of the Potomac River and murdered them. Doing so made Cresap a sort of colonial folk hero, but it entangled him and his family with the families of his victims for decades and led to his being called out explicitly in a famed piece of Indigenous oratory known as "Logan's Lament." If Cresap, who "would later be nicknamed the Maryland Monster," stands at the dark center of the Appalachian colonial universe, Parkinson's story extends to include dozens of people drawn into the fight, from Thomas Jefferson and George Washington to British generals Thomas Gage and Edward Braddock. The author also uncovers little-known moments in colonial history: a proto-civil war, for instance, between residents of Delaware and Pennsylvania, and a horrific episode in which Indigenous allies of the French captured one loyal to the British and "killed, boiled, and ate him." Parkinson's players, Native and European alike, are "bewildered," the ground constantly shifting under their feet, alliances forming and crumbling, friends indistinguishable from foes. In the fog, other slaughters followed--and in them, intriguingly, Parkinson locates the first glimmer of the colonists' decision to shake off British rule by force. A superb addition to the history of the late colonial era and Revolution.

      COPYRIGHT(2024) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Publisher's Weekly

      June 10, 2024
      Confusion reigned on the colonial-era American frontier, according to this labyrinthine account. Historian Parkinson (Thirteen Clocks) profiles two intertwined families in the 18th-century Ohio Valley: the Iroquois Shickellamy family, renowned “Native brokers” who worked to foster white/Native coexistence, and the white Cresaps, whose patriarch Thomas Cresap earned the title “the Maryland Monster” for his violent clashes with Pennsylvania colonists over contested borders. The bloody Yellow Creek massacre of nearly all of the Shickellamy family on April 30, 1774, by white associates of the Cresaps sets up Parkinson’s twisty tale of both families’ fates and fortunes. With densely detailed snapshots of small- and large-scale colonial invasions and Native counterattacks over several decades, Parkinson argues that the rapidly shifting relationships and frequent side-switching among various Native, British, and American groups created an atmosphere of “bewilderment” that confounded all parties (and can occasionally confound the reader). Parkinson also intriguingly charts the “colonizing words” settlers used to encourage violence against the “other”—such as consistently referring to themselves as “aggrieved”—and sheds light on how white frontiersmen and Natives were perceived as equally “savage” by eastern colonists until the American Revolution, when patriotic easterners “embrace” violent figures like the Cresaps “as part of the infant nation.” The result is a fine-grained look at life on the frontier that offers rewarding insights into the colonial mentality.

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