On Noah's Ark

August 25, 2003
Brett (The Mitten), long celebrated for her lush depictions of animals in vibrant, often exotic settings, turns her focus to the popular Bible story—and omits the biblical framework. In a childlike, pleasingly spare text, Noah's grandchild describes some of the preparations made to protect her family and the world's animals from the impending rains. Soon, "The animals go in two by two./ Big animals thump and bump onto the ark..../ Small animals squeeze in." During the 40 days and 40 nights, "the ark rocks back and forth like a giant cradle," lulling its passengers to sleep; at last the vessel makes land, and "two by two the animals look for new homes." There's no mention of God or his relationship to Noah, nor any reason given for the Flood. The art, however, is characteristically striking. In her signature style, Brett depicts a story-within-the-story via smaller side panel artwork (she executes her work on papyrus, to recall the antiquity of the story). On each panel, a keyhole-like window in the shape of a different animal allows readers to view some of the action. In the main compositions, realistic-looking creatures of varying size and hue create a colorfully jumbled menagerie. While Brett leaves it to presiding adults to place the tale in its spiritual and/or storytelling context, her accomplished visuals should fully engage young readers. Ages 4-8.

September 1, 2003
PreS-Gr 2-Brett presents the biblical story from the perspective of Noah's granddaughter. The child watches the construction of the ark and the arrival of its passengers. Once they are on board and the rain falls, she untangles the crowded beasts so that they can all sleep peacefully. When the storm ends, Grandpa Noah releases her pet dove to search for land. After the creatures disembark, she helps him plant a seed to start life anew. This familiar story serves as a vehicle for Brett's watercolor-and-gouache panoramas of animals, birds, and insects from all corners of the Earth. Even the dodo appears. Each spread features a large scene surrounded by a papyrus border. Smaller pictures that relate to the central image are presented in animal-shaped frames to the left and right. Close-up views of insects appear near the corner of some pages and the dove also has a spot in many illustrations. Such details add to the book's interest for older children, who can find something new to explore during repeat readings. Brett's fans will recognize her artistic style, and where her work is popular, this book is a "must purchase." Other librarians may want to assess demand for Noah stories versus the number of titles in the collection, including Jerry Pinkney's Noah's Ark (North-South, 2002). If there is room for one more interpretation, this one is worth considering.-Kathy Piehl, Minnesota State University, Mankato

Copyright 2003 School Library Journal, LLC Used with permission.

October 1, 2003
PreS-Gr. 1. There's no mention of a wrathful God in this beautifully illustrated retelling of the familiar story of the ark, which is related through the viewpoint of Noah's granddaughter. As the water rises, Noah and his family prepare while the animal pairs march aboard. The 40 days and nights in the ark are restless and crowded, but the girl tries to make everyone comfortable. Finally, she sends her dove in search of land, and a new world begins. The words are basic and effective; it's the detailed watercolors of the animals that are the real attraction here. In precise brushstrokes and vivid colors, Brett creates incredibly textured feathers and fur, and the appealing book design positions the images on backgrounds made to resemble papyrus scrolls. Very young children will want to point out their favorite animals in the parade; older ones who know the story may enjoy this kinder, secular version.(Reprinted with permission of Booklist, copyright 2003, American Library Association.)

January 1, 2004
Noah's rosy-cheeked granddaughter succinctly narrates this adaptation of the familiar Bible story, focusing on her interaction with the animals as they board, crowd together, and then disembark to regenerate the earth. Brett's realistic watercolor and gouache illustrations capture the smallest details, and their borders, which resemble papyrus, both frame the story and balance the somber mood.

(Copyright 2004 by The Horn Book, Incorporated, Boston. All rights reserved.)