The Gallery

May 23, 2016
This cleverly constructed historical mystery stars 12-year-old Martha O'Doyle, expelled from her Brooklyn parochial school in 1928 for what Sister Ignatius deems cheekiness but others might call curiosity. Martha's Irish immigrant mother gets her a job as a maid at the Fifth Avenue mansion where she keeps house for J. Archer Sewell, a newspaper mogul with a problem straight out of Jane Eyre: a mad wife locked away upstairs (with an art collection that would make curators drool). Fitzgerald (Under the Egg) stuffs the story with period detail: the Herbert Hoover/Al Smith presidential race, Sacco and Vanzetti's execution, and women's suffrage all figure in the plot as Martha, sensing something amiss, tries to decode the messages Mrs. Sewell may be sending through the paintings that hang in the eponymous gallery. At first, the frame device (Martha tells the story in flashback as she celebrates her 100th birthday) seems superfluous, but the neat ending wraps up the mystery in a satisfying way. Offer this to fans of Blue Balliett who like sophisticated adventures. Ages 8â12. Agent: Sara Crowe, Harvey Klinger.

April 1, 2016
Only Martha holds the key to a rollicking 1920s madcap mystery.When the white 13-year-old is expelled from Catholic school for impertinence (just "why was Eve punished for knowledge?"), Martha's Irish-immigrant mother, a housekeeper at a Fifth Avenue mansion, gets her employed as a kitchen maid. Her curious mind sets to work on the intrigues of newspaper mogul J. Archer Sewell and his "invalid" wife, who stays shut in her room along with an astounding art collection. Capable and curious Martha, however, learns that not all is as it seems. Capers ensue, in which the impending stock market collapse and yellow journalism play important roles, providing parallels to today. The costume ball at the climax includes a cast of many figures likely unfamiliar to readers, including Cole Porter, the Astors, Eddie Cantor, Al Jolson, Duke Ellington, and more. Within Martha's clearly forward-thinking but white perspective, none of the inherent racism of the era is remarked on or observed even as she comments on its sexism. But in her second novel, Fitzgerald (Under the Egg, 2014) has neatly developed Martha as a perfectly period-appropriate spunky-girl protagonist readers will root for. Fitzgerald balances mystery and history in a feminist narrative that invites readers to find out more. (Historical fiction. 9-13)

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May 1, 2016

Gr 5-8-At 100 years old, Martha O'Doyle decides to record the story of the most eventful six-month period in her life, a period that taught her to be the hero of her own story. Expelled from catechism class in 1928 for questioning the story of Adam and Eve, 12-year-old Martha takes a job as a maid in the Sewell mansion, where her mother is housekeeper. Mr. Sewell is a prominent newspaper magnate, and his supposedly "mad" wife Rose is kept under lock and key in her room with her beloved paintings. Martha is incredibly curious about Rose Sewell, particularly after she escapes her room one night and nearly sets fire to the mansion. She suspects Rose is trying to relay messages through the paintings she chooses to send down to the gallery, and Martha is determined to discover the truth about Rose's "madness." With a narrative voice in Martha that is equal parts pragmatic and wry, Fitzgerald weaves an engaging mystery set in New York City in the Roaring Twenties. Rose's plight challenges readers to think about gender inequity during the time period, and they will be further encouraged by references to stories such as that of Proserpina and Jupiter. Current events of the day are incorporated into the plot, and an author's note describes how the story grew from newspaper headlines, biographies, and memoirs.

Copyright 2016 School Library Journal, LLC Used with permission.

Starred review from May 1, 2016
Grades 4-7 *Starred Review* Fitzgerald (Under the Egg, 2014) gives the art mystery a new twist in her latest novel. She takes readers back to New York City in the late 1920s, where inquisitive, 12-year-old Martha O'Doyle joins her mother as a maid in the Sewell mansion. While much of the house gleams with impressive finery, it is also noteworthy for what cannot be seen, namely, an art collection and the impetuous Mrs. Sewell. Rumored to be mad, Mrs. Sewell is confined to her bedroom along with her precious paintings, of which she sends a select few to be hung in the downstairs gallery. The pictures pique Martha's curiosity, and she suspects that they contain a message from her quarantined mistress. Determined to unravel their meaning, Martha starts snooping and discovers the paintings are but one of the Sewell mansion's many secrets. This lively and inventive mystery successfully incorporates history, art, and literary classics. Readers will catch glimpses of vaudeville acts, challenges facing immigrants, Prohibition, Hoover's presidential campaign, and the stock market crash as they follow Martha, who proves a funny and tenacious protagonist, through her investigation. While not all questions are answered by story's end, readers will certainly be swept up by Martha's pluck and the mystery's many layers. A concluding author Q&A offers insight into the history and art peppering the novel's pages.(Reprinted with permission of Booklist, copyright 2016, American Library Association.)

July 1, 2016
Twelve-year-old Martha O'Doyle, a maid in the Sewell mansion, learns Mr. Sewell's dark secret: his formerly headstrong socialite wife is hidden on the mansion's top floor, apparently both physically and mentally ill. Fitzgerald's interest in art and history inform this puzzle of a novel, with Jane Eyre, Sacco and Vanzetti, the dying art of vaudeville, chemistry, and the 1929 stock market crashes all playing roles.

(Copyright 2016 by The Horn Book, Incorporated, Boston. All rights reserved.)

July 1, 2016
Twelve-year-old Martha O'Doyle's punishment for asking impertinent questions in catechism class is to spend a year as a maid in the Sewell mansion, where her mother works as head housekeeper. It's 1928 New York City, and Mr. Sewell is a successful newspaper magnate, but Martha soon learns his dark secret -- Mrs. Sewell, formerly a headstrong socialite known as Wild Rose, is hidden away on the mansion's top floor, apparently both physically and mentally ill. Mrs. Sewell periodically sends pieces from her extensive art collection to the gallery downstairs, which sets Martha on a treasure hunt that starts with basic art history but ultimately leads Martha to suspect that Mrs. Sewell is being held against her will, and to begin plotting her rescue. Fitzgerald's interest in art and history inform this puzzle of a novel, with Jane Eyre, Sacco and Vanzetti, the dying art of vaudeville, chemistry, and the 1929 stock market crashes all playing roles. Martha's progress through the mystery is somewhat convoluted, but her cheeky personality keeps the historical references from feeling too purposive and engages readers through the many twists and turns of the plot; clues that have been planted throughout make the anarchist's bomb at the climax feel earned. And, narrating from her hundredth birthday, Martha gets the last word as she prepares to reveal what really happened to Rose Sewell. anita l. burkam

(Copyright 2016 by The Horn Book, Incorporated, Boston. All rights reserved.)