Olympians

December 1, 2015
O'Connor makes out his latest Olympian as a tragic hero "who has had many loves, but whose loves seldom prosper." To say the least. No sooner are the frowning lad and his twin sister, Artemis, welcomed to Olympus by their father, Zeus, than Apollo is off to avenge his mother, Leto. He riddles Python, the humongous serpent who had harried Leto at Hera's instigation, with fiery arrows. He then proceeds himself to harry the virgin nymph Daphne until she is transformed into a laurel, gruesomely flense the satyr Marsyas for claiming to be a better musician, kill his bosom buddy Hyacinth, prince of Sparta, with a misguided discus, and get Artemis to shoot the unfaithful mother of his own not-yet-born son, Asklepios. Finally, he later sees his miraculously rescued son himself killed for creating, as Hades puts it, "a glitch in the system" by healing so many mortals. These and other incidents are narrated, sometimes in Classical meter or rhymed prose, by the nine worshipful Muses--lissome figures who pose and dance gracefully through the panels, then gather at the end to explain why their immortal patron's unique blend of gifts and faults is profoundly inspirational: "The most divine god is also the most human." As in previous series entries, the backmatter includes commentary, analysis, reading lists, and discussion questions. Apollo's darker tendencies overshadow his divine radiance here but, as usual, make better tales. (Olympian family tree) (Graphic mythology. 8-14)

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Starred review from January 1, 2016

Gr 4 Up-Narrated by the nine Mousai, or muses, who were worshipped alongside the brilliant son of Zeus, the eighth entry in O'Connor's masterful graphic novel series continues in the tradition of his previous "Olympians" tales. Starting off with Hera's pursuit of Leto, mother of Apollo and Artemis, and Zeus's lover, the muses relate different myths, each fleshing out a different aspect of the god of light's personality and legend. From his many charms and character flaws to his often failed romances, Apollo is presented as the most human of the Greek gods. Telling his story through the muses' perspectives is a successful device that O'Connor employs-each of them share a story that is in tune with their area of expertise. For example, Erato, the muse of mimicry and love poetry, recites a poem about Hyacinth, the prince of Sparta, who was caught in a love triangle with Apollo and Zephyros. Within this tale, some of the panels feature her miming some of the particulars. It is details like these, plus the creator's in-depth research, matter-of-fact and humorous tone, and expressive and dynamic art that continue to make each entry in this series a must-have. The variation of panels and the alternating dark and light-infused color palette add to the work's overall pacing and appeal. VERDICT A shining example of a graphic novel that educates and entertains.-Shelley Diaz, School Library Journal

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