The Difference Between You and Me

Starred review from January 30, 2012
It doesn’t make sense that radical 15-year-old Jesse—who plasters her high school’s walls with “Normalcy is Death” manifestoes—could be smitten with buttoned-up student council v-p Emily. It makes even less sense that Emily, who has a steady boyfriend, has reciprocal feelings for outspoken Jesse. But when the two girls meet in secret, all reason flies out the window (“Kissing Emily is literally the best thing Jesse has ever done. In her life. There is no feeling more right or perfect”). In a frank and funny account of opposites attracting, George (Looks) provides remarkable insight into teenage romance, alternating between the girls’ perspectives as she conveys their uncertainties and traces their growing political awareness. When Emily and Jesse end up on opposite sides of a heated battle to keep big business out of the community, Emily manages to keep her conflicting interests compartmentalized, but the pressure is getting to Jesse. Rather than offering easy answers about love, lust, and politics, George recognizes teenage vulnerabilities and promotes taking a stand. Strong, empathetic characterizations and whip-smart writing make this a seriously enjoyable read. Ages 12–up. Agent: Merrilee Heifetz, Writers House.

Starred review from January 1, 2012
A novel with alternating narrators takes an unusually interesting twist due to one of the character's habitual tendency toward self-delusion. Self-proclaimed misfit and outspoken manifesto-author Jesse deals daily with the hazards of being out and proud in high school. She's also carrying on a secret affair with image-conscious Emily, the girlfriend of a popular boy at school. Meeting weekly in the bathroom of the local public library, the two experience an inexplicable chemistry, even though Emily will barely acknowledge Jesse at any other time. Switching perspective among Emily, Jesse and a third girl, Esther, this heartbreaking tale is powerfully raw in its exploration of attraction and shame. Jesse hides her relationship from her warmly quirky and accepting parents not because it is with a girl, but because she knows they will disapprove of its secrecy. Readers will ache for her, and they will be torn between rage and pity toward Emily, so intent on forcing herself into a normative role that she cannot admit the truth even to herself. Clever phrasing, a decided political bent against big-box stores and characters who gently poke fun at various stereotypes round out this work of contemporary fiction. While in the end there are some plot lines left untied in slice-of-life fashion, the bittersweet resolution of the main conflict is deeply satisfying. (Fiction. 13 & up)

(COPYRIGHT (2012) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

Starred review from June 1, 2012

Gr 8 Up-Jesse and Emily make an unlikely couple. Emily is vice president of the student council, filled with school spirit, and has been dating her boyfriend since the eighth grade. Jesse is the daughter of liberal, political activists and has been out of the closet since she was 14. In spite of their wildly different social circles, the two girls find themselves embroiled in a passionate affair that takes place every Tuesday in the bathroom in the public library. Jesse feels ashamed, like a "bad queer," because of her willingness to keep their love secret, but Emily will only consent to staying involved if no one knows. When a huge corporation tries to move into town, using sponsorship of high school events as an inroad, Jesse and Emily find that they are on opposite sides of the political spectrum, which only accentuates the gulf that exists between them. The novel is told from alternating perspectives, with a third character, Esther, entering the mix after Jesse meets her in detention. Esther is an activist herself, whose admiration of Joan of Arc motivates her to spend her time on the worthiest of causes regardless of how she is seen by others. As she and Jesse become friends, Jesse begins to see that her relationship with Emily may not be the healthiest. The characters are vivid, there are some very funny scenes, and the desire Jesse and Emily feel for each other jumps off the page, transforming mere minutes of stolen time into lingering daydreams of young love. Readers of Julie Ann Peters, Laurie Halse Anderson, Sarah Zarr, and Sarah Dessen will welcome this addition to collections of realistic fiction.-Nora G. Murphy, Flintridge Sacred Heart Academy, La Canada-Flintridge, CA

Copyright 2012 Library Journal, LLC Used with permission.

March 15, 2012
Grades 8-11 Teens expecting a run-of-the-mill romance are in for a surprise with George's (Looks, 2008) smart, multilayered novel told in alternating viewpoints. Fifteen-year-old Jesse, a lesbian, cares deeply about political matters and plasters NOLAW (National Organization to Liberate All Weirdos) manifestos around school. Popular, shiny-haired Emily has been with her boyfriend, Michael, since eighth grade, but on Tuesday afternoons Jesse and Emily meet in the third-floor library bathroom to make out. For Jesse, the kissing becomes her first and last name, her only skill, the reason she was born, but Emily can never let the secret get out. To complicate matters, the girls find themselves on opposite sides of a heated debate about a new superstore that is threatening local business. Jesse's third-person chapters feel richer and more three-dimensional than Emily's somewhat bland first-person accounts. Still, the complexities of navigating love, politics, and taking a stand Sometimes you have to sacrifice something you love, if you don't want to lose everything you have ring completely true. George concludes with tips for how teens can make a difference.(Reprinted with permission of Booklist, copyright 2012, American Library Association.)

March 1, 2012
Sophomore Jesse has been out as a lesbian to her family and friends since she was fourteen, but she is so head-over-heels in love with closeted bisexual Emily that she agrees to keep their relationship a secret. The two girls have little in common. Jesse fancies herself as a nonconformist who anonymously posts manifestos around the school calling all "weirdos, freaks, queer kids, revolutionaries" to unite in opposition to normalcy. Emily is vice president of the student council, dates a star football player, and cares a lot about appearances. But there is a strong physical attraction between the two girls, and Jesse is willing to put aside everything she believes in in exchange for fifteen minutes of heavy petting with Emily every Tuesday in the third floor bathroom at the public library -- until she meets Esther, a teenage political activist who is everything Jesse only pretends to be. Esther awakens a true political spirit in Jesse that gives her the resolve to stand up to Emily, especially when it comes to the corporate sponsor Emily has lined up for the school's fall formal, StarMart. The narrative alternates among all three girls' points of view, but it is Jesse who comes through the most strongly, buoyed by distinctive secondary characters including her wonderfully realized hippie-turned-bourgeois parents, a gay male best friend who's homeschooled, and a stern dean of students who herself was once a bit of a rabble-rouser. The unusual lesbian romance makes this a welcome contribution to the growing body of GLBTQ teen literature, but it's the political lives of the teen characters that make the book especially memorable. kathleen t. horning

(Copyright 2012 by The Horn Book, Incorporated, Boston. All rights reserved.)

July 1, 2012
Out lesbian Jesse is so head-over-heels in love with closeted bisexual Emily, student council vice president, that she agrees to keep their relationship a secret. But Esther, a teenage political activist, awakens a true political spirit in Jesse. The narrative alternates among all three girls' points of view. The characters' political lives make this contribution to GLBTQ teen literature memorable.

(Copyright 2012 by The Horn Book, Incorporated, Boston. All rights reserved.)