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Runaway

Notes on the Myths That Made Me

Audiobook
1 of 1 copy available
1 of 1 copy available

From Erin Keane, editor in chief at Salon, comes a touching memoir about the search for truths in the stories families tell.

In 1970, Erin Keane's mother ran away from home for the first time. She was thirteen years old. Over the next several years, and under two assumed identities, she hitchhiked her way across America, experiencing freedom, hardship, and tragedy. At fifteen, she met a man in New York City and married him. He was thirty-six.

Through a deft balance of journalistic digging, cultural criticism, and poetic reimagining, Keane pieces together the true story of her mother's teenage years, questioning almost everything she's been told about her parents and their relationship. Along the way, she also considers how pop culture has kept similar narratives alive in her. At stake are some of the most profound questions we can ask ourselves: What's true? What gets remembered? Who gets to tell the stories that make us who we are?

Whether it's talking about painful family history, #MeToo, Star Wars, true crime forensics, or The Gilmore Girls, Runaway is an unforgettable look at all the different ways the stories we tell—both personal and pop cultural—create us.

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    • Publisher's Weekly

      August 8, 2022
      Salon editor-in-chief Keane (Death-Defying Acts) combines memoir and cultural criticism in this gut-wrenching account of the shadows Hollywood and her parents’ star-crossed relationship have cast over her life. In 1972, Keane’s mother was a 15-year-old runaway living in New York City’s East Village when she met and married a 36-year-old man recovering from a heroin addiction. Though Keane’s father died when she was five, transforming him into “a romantic figure in absentia,” her mother rebuilt her life as a labor and delivery nurse and remarried. It’s her gritty memories—of stealing clothes from the hippie boutique where she briefly worked, of being drugged and gang raped at a Long Island motel—that give the book much of its emotional punch and set the stage for Keane’s inquiries into American popular culture. She takes to task such celebrated films as Woody Allen’s Manhattan and John Ford’s The Searchers for prioritizing male over female perspectives and grooming viewers to accept sexual exploitation and violence against women. At times, the parallels between the personal and cultural feel tenuous, as when Keane views the dissolution of her parents’ marriage and her move to Arizona with her mom and her brother through the lens of Star Wars, but her lyrical prose, candid self-reflections, and diligent research will resonate with readers. This eagle-eyed inquiry hits the mark.

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  • English

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